Any cookies that may not be particularly necessary for the website to function and is used specifically to collect user personal data via analytics, ads, other embedded contents are termed as non-necessary cookies. This is how the waveform looks like for the first setting: Comparing with the uncompressed wave, compressing with very fast attack time and release time results to less energy at the maximum peak of the snare drum; as you have noticed that peak section is now thinner compared with the uncompressed snare. Decibel Peak ( is a participant in the Amazon Services LLC Associates Program, an affiliate advertising program designed to provide a means for sites to earn advertising fees by advertising and linking to Amazon ( When you visualize the real drums, it is a little off-center. Let’s start with the most important, the EQ. Naturally you should experiment with all of these settings. However, you’ll realize that professionals often use compression in multiple stages for various reasons. To be more specific, we’re talking about the loudness standards. Trying to bring out the snares? The threshold depends on the peak of the snare drum; feel free to experiment to get the optimum threshold. EQing a snare drum is easy. This results to distortion that sounds very bad. Categories: Recording and Mixing Drums. That’s okay! We respect your privacy. It’s obviously exaggerated which is why you’ll need to adjust the mix to blend the two sounds together. But a well mixed snare drums can make the song worth remembering, so what are the EQ, compression and panning mixing tips for snare drums? Although this sound is not as thick as the other compression settings to be illustrated later on. We also use third-party cookies that help us analyze and understand how you use this website. For the compression settings, I simply used a fast attack and release time with a small ratio of around 3:1. One of the most powerful elements in the rock drum mixing session are the snare drums. The second are the compression settings which I already mentioned in this tutorial: “Audio compression tips for mixing”. Ratio: 6:1; Attack: 1ms; Release: 200ms; Threshold: adjust for 6-10dB gain reduction; Snare drum mic Instead of just giving you my preset, I’ll also be explaining why I made the decisions I did. You should also pay attention to the recording levels of the snare to prevent clipping (or distortion) as well as very poor S/N (signal to noise ratio). 3. That’s what parallel compression is all about! This is the resulting sound: The snare drum sounds scratchy. Snare drum mixing of the music by Led Zeppelin, The Outfield, Spin Doctors and Nirvana are my personal favorites because they sound loud, crispy, heavy and well mixed. If your compressor plug-in includes a “mix” parameter, you won’t need to create another bus. If you have any questions or concerns, feel free to post them in the comments section and I’ll get back to you shortly! By understanding the different elements of your snare’s sound, you’ll also understand what we’re looking to get out of our compressor. If you’ve enjoyed this tutorial and would like to experience more content like this, I encourage you to sign-up to my weekly newsletter. It’s not as complcated as you thought it’d be, right? This is where I usually stop though. Modern pop beat sadly puts less importance in drums particularly snare. All Rigths Reserved. Once you start adding more tracks to the mix, you’ll notice that you begin to lose most if not all of the sustaining elements. Since the following settings uses Q, you need a parametric equalizer to implement those settings. Drum recording environment plays a big role in the resulting snare drum sound. There’s also some parallel compression to mix the dry and affected signal. Let’s try this second setting: (adsbygoogle=window.adsbygoogle||[]).push({}); Copyright © 2009 – 2020 Emerson R. Maningo Music Publishing. I started out immitating others, but at some point I ended up with something that was completely my own. There’s no other way! These cookies will be stored in your browser only with your consent. If you are using snare drum samples and not from actual drum kit recording; you need to make sure you are properly working with a high resolution audio samples (such as 24-bits). If these are used in music with vocals, the snare drum may drowned the vocal frequencies affecting vocal clarity. Let’s get started with the default settings (original and uncompressed snare): This is how the snare waveform looks like “uncompressed”: Supposing you want to apply this first compression setting: -30.4dB threshold 2:1 Compression ratio Scan mode: RMS Smooth saturation: Yes Attack time: 5ms Release time: 10ms Output gain: 7.6dB. The compressor that I’m using is the Sony Wave Hammer. Thanks for reading! But in reality the snare drums are not perfectly located in the center of the mix. At least recorded at a reasonable sounding level with dynamics. The output gain is adjustable depending on your desired snare drum volume. This will have a profound effect on the resulting sound. This is accomplished by “compressing” the transients which makes the sustaining elements sound louder. 2. It’s always there by boosting at 2kHz–5kHz. Your email address will not be published. Necessary cookies are absolutely essential for the website to function properly. It also uses moderate compression ratio of 4:1. This where most music producers will usually get into what I refered to as “parallel compression” a little earlier on. More details are discussed in this tutorial: “How to pan drum instruments”. Need more thump? Problems with a short attack timeOne thing is very much for sure, you have to experiment with the attack time. This website uses cookies to improve your experience. Need more bite? In rock music production, snare is commonly hit hard by the drummer which can easily overload your analog to digital converters.